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Weaving Your Own Mystery
This chapter will not just help with writing, but with understanding how to create a story about yourself that invites others to ask questions.
Writing, for most artists, is one of the more perplexing tasks they face. In this chapter I will discuss approaches to writing anything online. That would include getting media attention as well as critical attention for exploring ideas and issues that may be present in your work.
Writing is not a skill that comes easily to most artists, which is why you so often hear the phrase, “the painting speaks for itself.” However, thinking is something that artists must do. Thinking about the world of ideas, the world of colors and context, or poetry, politics, the environment, and more. These are all ideas that may already be present in your work or ones that you have thought of to some degree. If you can think about these things, then you can write about them, too. Perhaps not as well as you paint, sculpt, make photographs or installations, but nevertheless, you can write about issues that are important to you.
Think of how a social media platform like Facebook contains so much writing by people who do not consider themselves writers. I find the most interesting posts on Facebook are about what someone is thinking or struggling with in their mind. It usually doesn’t relate to their work, but to thoughts and ideas we all have. The posts about loved ones dying and about how much they meant to someone is an example that resonates with most of us. But comments and fairly long status updates can include writing about art and how someone feels about a recent show, or a recent political event, or something much more personal—about struggles in the studio, or struggles with health and more. This kind of writing works on Facebook, meaning it gets comments and interactions with other Facebook users. The artists making all these posts mostly do not consider themselves writers, but are indeed writing about art and life in a way that relates to their work. Part of the reason artists seem to write well on Facebook is that they are not thinking that they are “writing,” but are rather communicating to others in a way that is not so self-conscious.
Looking and Writing
Being an artist is about looking at the world in a peculiar way, a curious way, and then reflecting some of that investigation in the work itself. It does not matter if you are an abstract or figurative painter, or a photographer or conceptual artist: the work an artist makes reflects the culture around them and how they perceive it. From the grotesque to the political to the poetic, visual artists offer new ways of looking at how we all perceive the world around us. The more every artist is aware of this process, which is often intuitive, the more there is to write about and explore.
If you are using Facebook, Twitter, Instagram, or any other social media, there is often a question of what to write and how to meet people that you want to talk to on these platforms. For most artists, the questions is how to meet collectors, curators, and others who could help them in their career.
Writing for Online Audiences
The method I would suggest for writing on Facebook and most other online platforms is to be at least sincere in what you write (as opposed to sharing jokes and videos), because if you want to meet people and attract them to your art, then show off how thoughtful, kind, and sensitive you are. When I get a comment on one of my images on Instagram, for example, and it is more than “awesome shot,” this catches my attention. Perhaps it is something like, “this is my favorite, it’s beautiful,” or even something longer and less vague, like, “this reminds me of those ice cream trucks when I was little and the music they played.” That last one was not particularly descriptive, but it showed that the person writing had a particular memory and feeling associated with the image I posted. If someone wrote that on one of my images and “liked” a few others, I would notice. I would read their comment, and the next thing I would do is click on their name because I want to know who this sensitive person is. Is it an artist, a curator? I will find out by looking through their images, and in my case, I will begin to look at their images and might even comment to return the gesture. It is really that simple in the broadest sense, but is harder to do than it sounds.
To learn more about Brainard Carey and his services for artists, or to take a class from him, click here. To join one of his free weekly webinars, click here.